AMACO’s LG-36, Freckled Brown is a very nice medium brown with an added visual depth that comes from the light pea green and lion’s mane colored flecks. It is a slightly flowing glaze, so on vertical surfaces, the lighter hues of the speckles become somewhat runny and offer more of a striation than an actual speckle, while on a flat surface, there is little to no movement. This glaze is lovely on its own, but is also nice when layered with other glazes.
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LG-36 Freckled brown was used on this pot along with AMACO MF-44 Chartreuse and MF-66 Burnt Orange. (photo courtesy AMACO)
These vessels were glazed with AMACO® glazes MF-20 Dark Blue over LT-113 Sand (left), MF-40 Dark Green over LG-36 Freckled Brown (back), ST-25 Blue-Gray over LT-3 Old Pewter (front), and LT-161 Tiger Eye over ST-23 Light Blue (right). (photo courtesy AMACO)
Frog Green decoration with 2 coats of Freckled brown over
2 coats O-12 Tawny with 2 coats of Freckled Brown over top half only, reverse inside
2 coats O-12 Tawny with 2 coats of Freckled Brown over top half only, reverse inside
Freckled Brown over Flint Hills Earthenware White
Freckled Brown over Standard Mocha
Freckled Brown over Flint Hills Earthenware Red
Freckled Brown over (l-r) Flint Hills Earthenware White, Standard Mocha, & Flint Hills Earthenware Red
![Jordan Alexzandra is currently studying art at Millersville University. In addition to Ceramics and painting, she also studies psychology, anthropology, and English. “I’ve been an artist throughout my entire life, but it wasn’t until recently that I called myself a ceramicist. My work has gone through a long journey of finding the perfect medium, which is now clay,” she writes. She’s just starting her journey, taking her first ceramics class in high school, but I see so much promise in her. Her experiences with clay give her many teachable moments in patience, planning, and time management, which she applies to her full-time studies in Psychology.
During a Summer break and away from the clay studio, she found herself without a rudder and focused her angst and her energy toward exploring naturally dyed silk and yarn. She found solace in the world of textiles and fiber art. Her minimalist pre-Columbian clay forms mesh well with the purity of cotton and silk. Her current body of work is titled, “Cotton.” In addition to the sampling of photos included in this profile, there are many more at her website (link in our bio).
Jordan said, “I desire that this work also sparks conversation of African - American history. The embodiment of being one of the few Black students in college in most of my classes, it is a conversation that follows me. Clay as a direct connection to the multiple cultures that make me who I am, to cotton that cloaks not only a dark history but to the environmental costs of the plant.“ [by Anne]](https://www.brackers.com/wp-content/plugins/instagram-feed/img/placeholder.png)
